Timeless London #10 Anya Borbolla
- Aug 26
- 20 min read
Updated: 1 day ago
我想創造一個讓人互相認識、分享故事的地方
時：2026年7月7日，下午五時
地：泰晤士河畔，Southbank Centre
人：Anya Borbolla
認識Anya的因緣很有趣，我是她Pop-up Store的顧客。我本來甚至不知道倫敦有這樣的一間店，是好友Giulia（Timeless London第二篇的嘉賓）帶我去的。有次跟Giulia晚飯，她向我「炫耀」身上那條精緻的蘭花頸鏈，然後邀請我一起到Anya在Notting Hill的Pop-up Store。本來我還以為，跟Giulia的時裝風格大相逕庭的自己，大概不會找到什麼適合的東西；誰知道，一件非常漂亮的大花Corset，試穿後便立刻愛上。
Anya的店專賣跟拉丁美洲文化相關的設計品牌，風格鮮艷卻細緻。一踏進去，我就知道這裡跟倫敦很多店都不一樣：有很多顏色、很多花，也有很多海洋。跟我平日偏低調的風格形成很大對比，卻又令我心馳神往，彷彿走進了一個截然不同的世界；後來，我買下了一枚紫色玻璃花瓣戒指，因為需要換尺寸，而她的Pop-up Store又剛好結束，她便邀請我直接到她家更換。就在那個下午，我們聊起彼此在倫敦的生活和工作，我覺得她的故事非常吸引，就忍不住向她提出：「要不要接受Timeless London的訪問？」她很爽快地答應了。
這一天，她來到Southbank，我先帶她參觀Hayward Gallery最新的Anish Kapoor展覽，再一起坐到河畔餐廳，聊起她如何從墨西哥來到倫敦，又如何一步一步，把一間店變成一個讓人相遇和交流的地方。
你從哪裡來？為什麼會來到倫敦？
我來自墨西哥，大學修讀國際關係。畢業後，我曾在政府部門和非政府組織等大型機構都工作過，生活很穩定也很規律。但我慢慢發現，我真正想要的，其實是一個可以真正表達自己想法的空間。我的父母都是生意人，從小便鼓勵我建立屬於自己的事業，那份想親手創造一些東西的念頭一直都在我心裡。所以後來，我離開原本的工作，到藝術畫廊累積經驗，也為今天所做的一切打下了基礎。
我很小的時候第一次來倫敦，便很喜歡這座城市。不是因為皇室，而是它厚重的歷史感，讓我一直覺得，如果有一天能夠住在這裡就好了。後來讀大學時，我曾到倫敦交流一個學期，更加喜歡這裡的博物館、文化和生活；畢業後，我回到墨西哥工作，本來以為這個念頭就這樣過去了，直到疫情之後，我偶然發現可以申請英國簽證，而一切竟然比想像中順利得多。於是五年前，我搬來了倫敦。
我一直很喜歡倫敦，因為這裡總有很多事情正在發生。你每天都會遇見不同的人，也總會有新的事情令人驚喜。我很享受置身於這個充滿可能性的地方。
為什麼會想開一間店？
其實最初是由一次很小的嘗試開始的：我一直很喜歡策劃不同的東西，於是跟幾位朋友在家裡辦了一次小型市集，沒想到大家都很喜歡那種氣氛。除了買東西之外，人們會留下來聊天、交流，慢慢形成一個很自然的社群。我很享受這種感覺。
後來，我和當時的合作伙伴開始想，如果把這個模式放大一點，會不會也可行？於是便有了第一個 Pop-up Store，也開始在同一個場地舉辦不同活動，凝聚人群。結果比我們想像中更成功。
所以對我來說，與其說我想開一間店，其實不如說，一間店從來不只是一間店，它可以是一個讓人停下來、互相認識、分享故事的地方。而我想創造和在乎的，其實一直都是這樣的一個空間。
時裝其實從來並不只是時裝，你希望透過它表達什麼？
我一直覺得，時裝其實是一種身份認同，也是一種連結。我希望大家帶走的，不只是一件衣服或一件飾物，而是一件真正跟自己產生共鳴的東西，一件stagement piece，並且讓這件物件成為你日後美好的回憶。當你找到一件很喜歡的作品，它會陪伴你很久，也會慢慢成為你的一部分。
更重要的是，每一個品牌背後都有自己的故事。就用你朋友Giulia買的那條蘭花頸鏈的品牌作為例子，那位設計師本來在一間很男性主導、很冰冷的企業工作，她一直找不到自己的位置。後來她決定創立了自己的品牌，把女性力量放進作品裡。她設計了一系列蘭花飾物，很多人只是因為它漂亮而買下來，但其實，這些飾物同時也接收了設計師想表達的東西。設計師和客人可能從未見過面，但卻透過一件作品建立了一種很奇妙的連結。
（筆者：如果你特別認同設計師的觀點，甚至跟她的經歷有共鳴，那買的作品就更有意思了。）
沒錯。對我來說，這就是時裝最有趣的地方。它不只是外表，不只是漂亮好看，也不只是潮流。就像我的店一樣，我希望大家因為喜歡同樣的設計、手工、建築、音樂等等，甚至只是同一種美感而聚在一起，然後慢慢認識那些品牌，也認識彼此。我希望大家帶走的，是一些不會在其他地方輕易找到，並且能真正陪伴自己的作品，在買回去之後，會一直想用、一直喜歡，而不是很快會被取代。
你覺得拉丁美洲文化最迷人的地方是什麼？離開家鄉之後，有沒有改變你看待它的方法？
我覺得，有時候你首先要離開一個地方，才能用另一個角度去重新理解它。以前身在墨西哥，我從來沒有想過什麼叫做「拉丁美洲人的特質」；直到來到倫敦，我才慢慢發現，我們真的很不一樣。我們很熱鬧、很直接，也很喜歡用色彩表達自己。很多人會以為我們是在表現自己，但其實不是，那就是我們本來的樣子。無論走到哪裡，你大概都會很容易認出一個Latin American（笑）。
我想，最重要的是我們很喜歡「一起」做一件事情。最近世界盃正在舉行，雖然平日我不是一個很狂熱的足球迷，但每次看見家人、朋友，甚至整個國家一起投入支持同一支球隊，那種大家因為同一件事情而感到激動和團結的感覺，總是很打動我。
來到倫敦之後，我也開始用另一種方式看世界。這裡聚集了來自不同地方的人，每個人背後都有自己的故事。我開始對別人的文化、背景和經歷產生更多好奇，也更願意放下原本的想法，去理解不同的人。我想，這座城市最大的禮物，就是它讓我變得更開放，更能擁抱「不同」。
你是怎樣選擇合作品牌的？
我選擇跟一個品牌合作，從來都不是先看產品，而是看故事，還有它們與拉丁美洲的連結。我並不是想排斥其他地方的品牌，只是希望把焦點放在拉丁美洲，成為一個平台，把這些優秀的設計師帶到倫敦，讓更多人看見他們，也看見作品背後承載著的種種故事。
因為每個品牌背後，都有一位創作者，也有一段段很不同的人生。有些品牌是我回墨西哥時認識的，有些則是自己在網上發掘出來。有時不一定要創作者本人是拉丁美洲人，只要是任何跟這個文化有關的產品和周邊故事，我都很有興趣了解。（筆者：我留意到你的店裡有不少女性設計師的品牌，這是刻意安排的嗎？）
不是呢，一開始只是因為我身邊很多女性朋友本身就是設計師，我們慢慢建立起互相支持的一個網絡；後來我也發現，這個行業本身就有很多很有才華的女性創作者，她們的創意常常令我很驚訝，我甚至會想，到底她們是怎樣想到這些作品的，真希望可以走進她們的腦袋去看看（笑）。
創業以來，你遇到最大的困難是什麼？
很多人可能會以為，最大的困難是資金、租金，或者倫敦高昂的營運成本，但對我來說，其實最大的挑戰一直都是自己。
創業最大的敵人是懷疑。你永遠不知道自己的想法值不值得做，也不知道別人會不會接受你。每天都有很多事情等著完成，但有時候，光是「我真的準備好了嗎？」這個念頭，就足以讓人留在原地沒法前進。我不是害怕被拒絕，而是害怕把自己放出去之後，發現自己還不夠好。
但後來我漸漸又明白，很多事情其實沒有標準答案。有些機會不是屬於自己，有些計劃也未必行得通，與其一直堅持同一條路，不如誠實地面對現實，再去尋找新的方法。接受，然後學會變通，是很重要的，現在我正在學習這件事。例如我很擅長辦 Pop-up Store，但接下來，我需要尋找另一種新的方式，把這個計劃繼續延續下去。
幸好，我身邊一直都有很支持我的家人和朋友。每次我開始懷疑自己的時候，他們總會提醒我，繼續相信自己，也願意誠實地給我意見。我想，創業很多時候就是這樣，一邊懷疑自己，一邊繼續學習，再一步一步走下去。
顧客對你來說的意義是什麼？
老實說，我一直都不太把他們當成「顧客」。很多人走進店裡，不只是想來買一件東西，他們本身就在做一些很有趣的事情，有些人做建築、有些人拍電影、有些人研究陶藝，也有人正在策劃不同的文化項目。我們常常一聊就是很久，最後甚至一起合作，一起做活動。
我很喜歡這種關係。它不只是顧客和店主，而是一個彼此支持的網絡。有時候，大家只是因為喜歡同一件作品、同一種工藝而認識，但最後卻因為彼此的故事而留下來。我覺得，那才是整件事最有意思的地方。
就像你今天來訪問我一樣（笑），如果只是一般客人，我們大概不會聊到彼此的背景，但正因為有了這樣的交流，我們才真正認識一個人，而不是只是認識他的身份。我一直很珍惜這些相遇，也希望即使 Pop-up store結束了，仍然能一直跟大家保持聯繫。
如果可以改變一件事，你希望是……？
我希望每一個人都有機會去創造自己喜歡的東西。
我說的並不一定是創業，也不一定要開一間店，而是每一個人都能有機會去做一件真正喜歡的事情。生活有很多現實需要面對，我明白並不是每個人都有這樣的條件，所以我一直很清楚自己其實很幸運，也很感恩能夠走到今天。
但我希望，創作不會只屬於少數人。哪怕只是畫一幅畫、做一件陶藝、寫一篇文章，只要有一個安全的空間讓人願意開始，我覺得人就會在創作的過程裡，更了解自己。很多時候，真正重要的，其實不是最後完成了什麼，而是那個創作的過程本身。
（笑）當然，如果真的可以改變一件事的話......希望倫敦可以多裝一點冷氣。
說說未來，你的下一步是什麼？你想追求什麼？
回頭看，我現在最深的感受，其實是感恩。Pop-up Store 已經結束差不多兩個月，但直到現在，我還是覺得一切有點像場夢。我一直在慢慢消化這段經歷，回想那個空間、那些活動、遇見的人，還有大家對品牌的反應。我所希望的，把拉丁美洲設計師和他們背後的故事透過這間店帶到倫敦 ── 我真的感覺到這些故事被看見了，我覺得很溫暖。
最令我感動的是有些客人特地回來第二次，也有人一直跟我保持聯絡，直到現在，我們仍然會分享彼此的近況。對我來說，這比任何事情都更有意義。
我懷著很多的感恩去想我的下一步：原本，我一直希望找到一個固定的店面，但現在反而開始接受，或者可以有其他可能，或者不一定要以這麼固定的方式去做。也許是跟不同店舖合作，也許是用其他形式，繼續讓這些品牌被更多人看見。現在我有很多未知，當然也會令人焦慮，但同時，未知也代表還有很多創意可以發生。我想，倫敦正是一個很適合這樣不斷嘗試的地方。
一年後的今天，你覺得你會在做什麼？
我希望一年後，我的環境會比現在更踏實一點，事情會有個更清晰的輪廓，我會更清楚每一個「下一步」要怎樣做，而且很開心地做著，而不用一直擔心要怎樣走。
我想，我還是會繼續做這個計劃，只是希望到時候已經找到一個更適合它的模式。我同時也希望生活可以多一點規律，不用每天都在擔心接下來會發生什麼事，也能夠慢慢把步伐放慢一點。
這幾年，我好像一直都在移動、一直都在尋找。我希望一年後回頭看，會覺得自己終於慢慢安定下來了。
跟Anya做訪問是一種享受，我非常喜歡她回答問題的方式，熱情地表達又帶有條理，所用的語言細緻而清晰。我自己對商業世界的認識不多，但從她的分享裏，可以感受到無論是創立一間店，還是經營一個計劃，要把種種想法實踐出來，原來相當不容易。從Anya身上，我也感受到一種開朗和堅定，即使是談著最困難的部分，她仍帶著一份相信事情終究會水到渠成的信心。我想，這大概是每一位創業者都必須具備的韌性。
以前，Anya在國際政治的世界裡，置身於不停運轉的中心；現在，她則透過自己的店、自己的計劃，把不同的人聚集起來，創造出另一種交流和連結。她讓我再一次記住：真正重要的，總是那些願意停下來，好好認識一個人、一件作品、一個地方的時刻。有時候，那些看似微小的相遇，最後可能會慢慢形成另一段美好的故事。
專欄簡介
用心生活的人都是值得欣賞的。在倫敦，我召集了十二位用心生活的人，他們有著不同的
背景、職業、愛好、生活方式，但共通的是，他們對生活有著熱情的心。我一一訪問，紀錄他們當前狀態，希望一年後，這個小小的時間囊會成為他們檢視生活的美好回憶。
作者簡介
大學中文系畢業、英國University of Leicester博物館及畫廊研究碩士。目前在倫敦某大型
文化藝術中心工作，並以教廣東話作為點綴；兩屆青年文學獎得主，作品曾刊《字花》、
《別字》等，著有專欄〈原來都走到這裡〉刊《大頭菜文藝月刊》。喜歡村上春樹、古典
音樂、伯爵茶和鄰居的貓。
Timeless London
#10 Anya Borbolla
Date: 5pm, 7 July 2026
Location: Riverside, Southbank Centre
Guest: Anya Borbolla
Meeting Anya happened almost by accident — I was one of the customers at her pop-up store. In fact, I probably would never have discovered it if my friend Giulia (the guest featured in the second Timeless London interview) hadn't taken me there. One evening over dinner, she proudly showed me the beautiful orchid necklace she was wearing and invited me to visit Anya's pop-up in Notting Hill with her. At first, I assumed I wouldn't find anything for myself. Giulia's style is completely different from mine. But then I tried on a striking floral corset, and I fell in love with it immediately.
Anya's shop specialises in independent design brands from Latin America. Everything is colourful yet carefully crafted. The moment I stepped inside, I knew this wasn't like most shops in London. There were vibrant colours, flowers everywhere, and references to the sea. It was completely different from my usual understated style, yet somehow I found myself drawn into this vivid, joyful world.
I later bought a purple glass flower-petal ring, but because it needed resizing and the pop-up had already closed, Anya invited me to her home to exchange it. That afternoon we ended up talking about our lives in London, our work, and everything in between. I found her story so fascinating that I couldn't help asking, "Would you like to be interviewed for Timeless London?" She immediately said yes.
A few weeks later, we met at the Southbank Centre. I first took her to see the latest Anish Kapoor exhibition at the Hayward Gallery before we settled down at a riverside café to talk about how she came from Mexico to London, and how she has gradually turned a shop into a place where people meet, connect and share stories.
Where are you from, and what brought you to London?
I'm from Mexico, where I studied International Relations at university. After graduating, I worked in large organisations, including government and NGOs. Life was stable and structured, but over time I realised what I really wanted was the freedom to express my own ideas. My parents are both business owners, and they always encouraged me to build something of my own. That entrepreneurial spirit stayed with me. Eventually, I left my previous career and began working at an art gallery, where I gained the experience that eventually led me to what I do today.
I first visited London when I was very young and immediately fell in love with the city. It wasn't because of the royal family — it was the sense of history that captivated me. I remember thinking, I hope I can live here one day. Later, I spent a semester in London during university and fell even more in love with the museums, the culture and everyday life here. After graduating, I returned to Mexico and started working, assuming that dream had simply passed. Then, after the pandemic, I discovered a visa route to the UK. The application process turned out to be much smoother than I had expected, so five years ago, I made the move.
I love London because there's always something happening. Every day you meet different people, and there's always something new to surprise you. I really enjoy being in the middle of all that possibility.
Why did you want to open a shop?
It actually started with something very small: I've always loved curating things, so a few friends and I organised a tiny market at home. What surprised us wasn't just that people came to shop — they stayed to chat, exchange ideas and spend time together. It naturally became a little community, and I realised how much I enjoyed creating that kind of atmosphere.
Later, my business partners and I wondered what would happen if we expanded that idea. So we organised our first pop-up shop and began hosting events in the same space. It turned out to be even more successful than we had imagined.
For me, opening a shop was never really about opening a shop. A shop can be a place where people slow down, meet one another and share stories. That's the kind of space I've always wanted to create.
Fashion is never just fashion. What do you hope it expresses?
I've always believed fashion is a form of identity. It's also a way of connecting with people. I don't want people to leave with just another piece of clothing or jewellery — I want them to find something that genuinely resonates with them, something that becomes a statement piece and eventually a beautiful memory. When you find something you truly love, you keep wearing it, and over time it becomes part of who you are.
More importantly, every brand carries its own story. Take the orchid necklace your friend Giulia bought, for example. The designer used to work in a very male-dominated, corporate environment where she struggled to find her place. Eventually, she started her own brand and channelled her femininity into her work. She created a collection of orchid jewellery, and although many people buy it simply because it's beautiful, they're also connecting — often without realising it — with the story and emotions behind it. The designer and the customer may never meet, yet somehow they're connected through a single object.
(Iris: If someone relates to the designer's story or shares a similar experience, that connection becomes even stronger.)
Exactly. That's what fascinates me about fashion. It's never just about appearance, or trends, or looking good. Just like my shop, I hope people come together because they appreciate the same design, craftsmanship, architecture, music — or simply the same sense of beauty. Through that, they begin to discover the brands, their stories, and each other. I want people to take home something they won't easily find anywhere else — something they'll continue to wear, treasure and enjoy for years, rather than something that quickly gets replaced.
What do you find most fascinating about Latin America culture? Has leaving home changed the way you see it?
I think sometimes you have to leave a place before you can truly understand it. When I lived in Mexico, I never really thought about what it meant to be Latin American. It was only after moving to London that I realised how distinctive we are. We're loud, expressive and full of colour. People sometimes think we're trying to show off, but that's just who we are. Wherever we go, you can usually tell we're Latin American. (Laughs.)
I also think one of our greatest strengths is how much we enjoy experiencing things together. The World Cup is a good example. I'm not usually a huge football fan, but seeing my family, my friends and an entire country come together to support the same team always moves me. There's something incredibly powerful about people sharing the same excitement and emotion.
Living in London has also changed the way I see the world. Here, everyone comes from a different background, and everyone has their own story. It's made me much more curious about other cultures and experiences, and much more willing to question my own assumptions. I think that's one of London's greatest gifts — it teaches you to embrace difference with an open mind.
How do you choose the brands you work with?
When I choose a brand, I rarely start with the products themselves. I start with the story, and with its connection to Latin America. It's not about excluding brands from elsewhere — it's about creating a platform that celebrates Latin American creativity and brings these designers to London, giving more people the chance to discover both their work and the stories behind it.
Every brand represents a creator and a completely different life journey. Some of the designers I discovered while travelling back to Mexico, while others I found through endless hours of searching online. The designer doesn't necessarily have to be Latin American — as long as the work has a genuine connection to the culture, I'm interested in hearing its story.
(Iris: I noticed many of the brands in your shop are created by women. Was that intentional?)
Not really. It started simply because many of my friends were designers, and we naturally built a network that supported one another. Later, I realised the industry is full of incredibly talented women. Their creativity constantly amazes me. Sometimes I honestly wonder how they even come up with these ideas — I'd love to spend a day inside their minds. (Laughs.)
Since starting your business, what has been the biggest challenge?
Most people probably think the biggest challenge is funding, rent or London's high operating costs. But honestly, the hardest part has always been myself.
The biggest enemy of entrepreneurship is self-doubt. You never really know whether your ideas are worth pursuing, or whether anyone will respond to them. Every day there's another long list of things to do, yet sometimes a single thought — Am I really ready? — is enough to stop you from moving forward. It's not rejection that scares me, but the fear of putting myself out there and discovering I'm simply not good enough.
Over time, though, I've realised that many things don't have a right answer. Some opportunities aren't meant for you, and some ideas simply won't work. Instead of forcing yourself down the same path, it's better to accept reality and look for another way forward. I'm still learning that now. I love organising pop-up stores, but the next challenge is figuring out how this project can continue in a different form.
Fortunately, I've always had incredibly supportive family and friends. Whenever I begin to doubt myself, they remind me to keep believing in what I'm doing while also giving me honest advice. I think that's what entrepreneurship really is — constantly questioning yourself, constantly learning, and continuing anyway.
What do your customers mean to you?
To be honest, I've never really thought of them as customers. Many people who walk into the shop are already doing fascinating things themselves. Some are architects, some are filmmakers, others work with ceramics or are developing their own cultural projects. We often end up talking for ages, and before long we're collaborating or organising events together.
I love that kind of relationship. It's no longer just between a customer and a shop owner — it becomes a community where people support one another. Sometimes we meet simply because we happen to love the same object or the same craft, but people stay because they become interested in each other's stories. To me, that's the most meaningful part of it all.
Just like today. (Laughs.) If you had simply visited as a customer, we probably would never have talked about our backgrounds. It's these conversations that allow us to know the person behind the role. I treasure those connections, and I hope that even though the pop-up has ended, they'll continue long into the future.
If you could change one thing, what would it be?
I'd love everyone to have the opportunity to create something they truly care about.
I don't necessarily mean starting a business or opening a shop. I simply mean having the chance to make something that genuinely matters to you. Life comes with responsibilities and practical realities, and I know not everyone has the same opportunities. I'm very aware of how fortunate I've been, and I'm deeply grateful for that.
But I hope creativity never becomes something reserved for only a few people. Whether it's making a drawing, creating a ceramic piece or writing an article, I think that as long as people have a safe space to begin, they'll discover something about themselves through the process. In the end, what matters most isn't necessarily what you create, but the experience of creating it.
(Laughs.) Although... If I really could change one thing, I'd probably ask London to install a lot more air conditioning.
Looking ahead, what's next for you? What are you striving for?
Looking back, the feeling that stays with me most is gratitude. It's been almost two months since the pop-up ended, yet it still feels a little like a dream. I've been slowly processing everything that happened — the space itself, the events we organised, the people we met, and how everyone responded to the brands. My hope was always to bring Latin American designers and their stories to London, and I genuinely feel that those stories were seen and appreciated. That means a great deal to me.
What touched me most is the people. Some customers came back a second time, and others have stayed in touch ever since. Even now, we still keep each other updated on our lives. To me, that's worth more than anything else.
As I think about what's next, I do so with a great sense of gratitude. For a long time, I imagined opening a permanent shop. But now I'm beginning to accept that perhaps there are other ways forward. Maybe it's collaborating with different spaces, or finding new ways to showcase these designers and help more people discover them. There are still so many uncertainties, and of course that can be frightening. But uncertainty also leaves room for creativity. I think London is the perfect place for that.
A year from now, what do you think you'll be doing?
I hope that by this time next year, life will feel a little more settled. I'd like to have a clearer picture of where I'm going, to know what the next step is, and to enjoy moving towards it without constantly worrying about what comes next.
I think I'll still be working on this project. I just hope that by then I'll have found a model that suits it better. I'd also love life to have a little more routine — not having to worry every day about what's around the corner, and allowing myself to slow down a little.
These past few years have felt like a constant journey of moving, searching and figuring things out. I hope that, a year from now, I'll be able to look back and feel that I've finally started to find my footing.
Interviewing Anya was an absolute pleasure. I loved the way she answered every question — thoughtful, articulate and full of enthusiasm. I don't know much about the world of business myself, but listening to her made me realise how much courage it takes not only to start something of your own, but to keep finding ways to turn ideas into reality. What struck me most was her optimism. Even when she spoke about uncertainty and setbacks, she never lost her quiet confidence that things would eventually fall into place. I imagine that's the resilience every entrepreneur needs.
Years ago, Anya found herself at the centre of international politics. Today, she's creating a different kind of meeting place through her shop and her projects — one where people, stories and cultures come together. She reminded me that the moments worth holding on to are often the simplest ones: taking the time to understand a person, a piece of work, or a place a little more deeply. Sometimes, the smallest encounters might become the beginning of another beautiful story.
About the Author
Iris Yee-Ting Chow, (Official Website) born and raised in pre-1997 Hong Kong. Moved to the UK in 2018 and has been here ever since. Holds a degree in Chinese Language and Literature from Hong Kong, and a master's in Art Museum and Gallery Studies from the University of Leicester, UK. Currently works at a major art and culture centre in London and moonlights as a Cantonese teacher.
Twice awarded the Hong Kong Youth Literature Award. Work has appeared in Fleurs des Lettres and Typo. Writes the column ‘So This Is Where I've Come To‘ for The Turnip Arts Journal. A lover of Haruki Murakami, classical music, Earl Grey tea, and the neighbour's cat.
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